A Woman Peeling Apples
A Woman Peeling Apples | |
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Artist | Pieter de Hooch |
Year | c. 1663 (c. 1663) |
Medium | oil on canvas |
Dimensions | 67 cm × 55 cm (26 in × 22 in) |
Location | Wallace Collection, London |
A Woman Peeling Apples (c. 1663) is a painting by the Dutch Golden Age painter Pieter de Hooch in the Wallace Collection in London.
Description
It is a genre painting showing a quiet domestic scene from the time, like most of de Hooch's works. The elaborate fireplace and fur and embroidery in the mother's clothes show a prosperous household, and the cupid between the two figures implies a happy one. Its sensitive handling of light—in particular, natural light filtered into an otherwise unlit interior space—led 19th-century art historians to attribute it to Johannes Vermeer, with whose work the painting does bear strong similarities. However, Vermeer's work typically portrayed a woman working alone instead of a family scene as in A Woman Peeling Apples. Most scholars also now believe that de Hooch was influenced by Vermeer instead of Vermeer by de Hooch.
The painting is in oil on canvas (67 cm × 55 cm). It is also sometimes referred to as A Woman Peeling Apples, with a Small Child. This painting was documented by Hofstede de Groot in 1908, who wrote:
33. WOMAN PEELING APPLES. de G. 55.[1] In the right-hand corner of a room sits a woman, facing the spectator. She wears a black velvet jacket trimmed with fur, a red skirt, and a white apron. In her lap she holds a basket of apples which she is peeling. She holds out a long rind in her right hand to a little girl standing to the left and seen in profile. A tub is on the floor at the woman's feet. To the left is a fireplace with a kettle on the fire. The fireplace is lined with Delft tiles, and is enclosed with pilasters worked in low relief. Behind the woman hangs a mirror in a black frame. The sunlight enters through a window above to the right and illumines the wall and a corner of the mirror. The floor is composed of brown and white tiles. The picture is in a very dirty condition. Its general effect is fine. It is somewhat similar in style to the Weissbach picture (4), but not so charming in subject; it is Canvas, 26 inches by 21 inches. Mentioned by Waagen, Supplement, p. 87, in the collection of the Marquis of Hertford, who bought it from C. Perrier in 1848 (for £283 : 10s.). Described by Bürger, Gazette des Beaux-Arts, 1866, vol. xxi. p. 561, as a Vermeer, No. 16. Exhibited at the Royal Academy Winter Exhibition, London, 1893, No. 55. Now in the Wallace collection, London, No. 23 in the 1901 catalogue.[2]
See also
References
- ^ Comparative table of catalog entries between John Smith's first Catalogue raisonné of Hooch and Hofstede de Groot's first list of Hooch paintings published in Oud Holland
- ^ entry 33 for Woman Peeling Apples in Hofstede de Groot, 1908
External links
- Wallace Collection
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- List of paintings
- The Empty Glass (c. 1652)
- A Man with Dead Birds, and Other Figures, in a Stable (c. 1655)
- Two Soldiers and a Serving Woman with a Trumpeter (c. 1650-1655)
- A Woman and Two Men in an Arbour (1657)
- Merry Company with Two Men and Two Women (c. 1657)
- Cardplayers in a Sunlit Room (1658)
- The Courtyard of a House in Delft (1658)
- The Golf Players (1658)
- A Woman Drinking with Two Men (1658)
- A Woman with a Child in a Pantry (c. 1658)
- The Bedroom (Karlsruhe) (1658-1660)
- The Bedroom (Widener Collection) (1658-1660)
- Courtyard with an Arbour (1658-1660)
- A Dutch Courtyard (1658-1660)
- Group Portrait of an Unknown Family or Company (1658-1660)
- A Man Smoking and a Woman Drinking in a Courtyard (1658-1660)
- A Mother's Duty (1658-1660)
- Lady and Her Cook (c. 1660)
- A Woman with a Basket of Beans in a Garden (c. 1651-1661)
- Interior with a Woman Weighing Gold Coin (1659-1662)
- Interior with a Young Couple and a Dog (1662)
- Two Women Beside a Linen Chest, with a Child (1663)
- A Boy Bringing Bread (c. 1663)
- A Woman Peeling Apples (c. 1663)
- A Woman Preparing Bread and Butter for a Boy (1660-1663)
- Woman Lacing Her Bodice Beside a Cradle (c. 1660-1663)
- Card Players in a Rich Interior (c. 1663-1665)
- Company in a Courtyard Behind a House (c. 1663-1665)
- The Council Chamber in Amsterdam Town Hall (c. 1663-1665)
- Going for a Walk in the Amsterdam Town Hall (c. 1663-1665)
- Leisure Time in an Elegant Setting (c. 1663-1665)
- Musical Party in a Hall (c. 1663-1665)
- Mother with a Child and a Chambermaid (1665-1668)
- Interior with a Mother Close to a Cradle (c. 1664-1670)
- The Maidservant (c. 1667-1670)
- Young Woman with a Letter and a Messenger in an Interior (1670)
- Interior of a Kitchen with a Woman, a Child and a Maid (c. 1668-1672)
- Interior with a Child Feeding a Parrot (c. 1668-1672)
- Teaching a Child to Walk (c. 1668-1672)
- Woman Giving Money to a Servant-Girl (c. 1668-1672)
- Interior with a Man Reading a Letter and a Woman Sewing (c. 1670-1674)