Landscape with Hercules and Cacus
![](http://upload.wikimedia.org/wikipedia/commons/thumb/a/aa/Paysage_avec_Hercule_et_Cacus_-_Poussin_-_Mus%C3%A9e_Pouchkine_Moscou.jpg/350px-Paysage_avec_Hercule_et_Cacus_-_Poussin_-_Mus%C3%A9e_Pouchkine_Moscou.jpg)
Landscape with Hercules and Cacus is an oil on canvas painting by French painter Nicolas Poussin, created c. 1660. It is held in the Pushkin Museum, in Moscow. It depicts a scene from lines 190-275 of Book VIII of Virgil's Aeneid.
Its early history is unknown. It and the same artist's Landscape with Polyphemus were bought by Denis Diderot for Catherine the Great for the Hermitage Museum.[1] Diderot gave them both to Prince Dmitri Alekseyevich Gallitzin, who transported them to The Hague and thence to Saint Petersburg. Polyphemus remains in the Hermitage, whilst Hercules and Cacus was moved to its present home in 1930.[2]
See also
References
- ^ (in Russian) Серебрянная Н. К., Государственный Эрмитаж. Французская живопись XV—XVII веков: Каталог коллекции. — СПб.: Изд-во Государственного Эрмитажа, 2018. — 496 pages — ISBN 978-5-93572-811-3. - p. 381, 383-385
- ^ Кузнецова И. А., Шарнова Е. Б. Франция XVI — первой половины XIX века : собрание живописи : каталог / Ирина Кузнецова, Елена Шарнова; Государственный музей изобразительных искусств имени А. С. Пушкина. — М. : Красная площадь, 2001. — 479 pages : ил., цв. ил., портр. — № 182. — ISBN 5-900743-57-8. — p. 202-204
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- The Death of Chione (1622)
- The Battle between the Israelites and the Amorites (c. 1625)
- Joshua's Battle against the Amalekites (c. 1625)
- Venus and Adonis (1626)
- The Capture of Jerusalem by Titus (1626; 1635)
- The Death of Germanicus (1627)
- Saint Cecilia (1627–1628)
- Echo and Narcissus (1627–1628)
- The Martyrdom of Saint Erasmus (1628–1629)
- The Mystic Marriage of Saint Catherine (1628–1629)
- Plague of Ashdod (1628–1630)
- Cephalus and Aurora (c. 1629–1630)
- The Inspiration of the Poet (1629–1630)
- Sleeping Venus with Cupid (1628–1630)
- Saint James the Great's Vision of the Virgin Mary (1629–1630)
- Venus Weeping for Adonis (c. 1630)
- The Massacre of the Innocents (1625–1632)
- Parnassus (1631–1633)
- A Bacchanalian Revel Before a Term (1632–1633)
- The Adoration of the Golden Calf (1633–1634)
- Adoration of the Shepherds (1633–1634)
- The Crossing of the Red Sea (1633–1634)
- The Rape of the Sabine Women (1634–1635, 1637–1638)
- A Dance to the Music of Time (1634–1636)
- Triumph of Neptune and Amphitrite (c. 1636)
- Camillus Handing the Falerian Schoolmaster over to his Pupils (1637)
- Et in Arcadia ego (1637–38)
- Seven Sacraments (first series 1637–1640; second series 1644–1648)
- Theseus Rediscovering His Father's Sword (1638)
- The Manna (1638–1639)
- Extreme Unction (1638–1640)
- The Continence of Scipio (1640)
- Landscape with Saint John on Patmos (1640)
- The Funeral of Phocion (1648)
- Landscape with the Ashes of Phocion (1648)
- Eliezer and Rebecca (1648-1649)
- The Judgement of Solomon (1649)
- Landscape with Polyphemus (1649)
- Self-portrait (1649)
- Landscape with Three Figures (1645–1650)
- Landscape with Orpheus and Eurydice (1650–1653)
- The Flight into Egypt (1657–1658)
- Blind Orion Searching for the Rising Sun (1658)
- Landscape with Two Nymphs (1659)
- Landscape with Hercules and Cacus (c. 1660)
- The Four Seasons (1660–1664)
- Apollo and Daphne (1661–1664)
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