Report of the 1st Annual Symposium on Relaxed Improvisation
1973 studio album by Warne Marsh, Clare Fischer & Gary Foster
Report of the 1st Annual Symposium on Relaxed Improvisation | ||||
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Studio album by Warne Marsh, Clare Fischer & Gary Foster | ||||
Released | 1973 | |||
Recorded | May 9, 1972 | |||
Studio | Clare Fischer's Studio, Van Nuys, CA | |||
Genre | Jazz | |||
Length | 37:00 | |||
Label | Revelation REV 17 | |||
Producer | John William Hardy, Jon Horwich | |||
Warne Marsh chronology | ||||
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Clare Fischer chronology | ||||
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Report of the 1st Annual Symposium on Relaxed Improvisation, is an album by saxophonists Warne Marsh and Gary Foster with pianist Clare Fischer recorded in 1972 and released on the Revelation label.[1][2]
Reception
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Source | Rating |
Allmusic | ![]() ![]() ![]() ![]() ![]() |
The Allmusic review noted "This LP certainly has an odd name. The music is relaxed but not sleepy ... this was really a recorded jam session in which no one paid much attention to the presence of the microphones. The recording quality is ok, if not state of the art, and the playing is not flawless, but the music overall is creative and well worthy of a listen by Warne Marsh fans".[3]
Track listing
- "It Could Happen to You" (Jimmy Van Heusen, Johnny Burke) – 8:00
- "Bluesy Rouge" (Warne Marsh, Clare Fischer, Gary Foster) – 10:00
- "In a Mellow Tone" (Duke Ellington) – 11:00
- "Yesterdays" (Jerome Kern, Otto Harbach) – 8:00
Personnel
- Warne Marsh – tenor saxophone
- Clare Fischer – piano
- Gary Foster – alto saxophone
- Paul Ruhland – bass
- John Tirabasso – drums
References
- v
- t
- e
Years given are for the recording(s), not first release.
leader
or
co-leader
- Live in Hollywood (1952)
- Lee Konitz with Warne Marsh (1955)
- Jazz of Two Cities (1956)
- Art Pepper with Warne Marsh (1957)
- Music for Prancing (1957)
- The Right Combination (and Joe Albany, 1957)
- Warne Marsh (1957–58)
- The Art of Improvising (1959)/Live at the Half Note (Lee Konitz, 1959)
- Ne Plus Ultra (1969)
- Report of the 1st Annual Symposium on Relaxed Improvisation (Clare Fischer, Gary Foster, 1972)
- The Unissued 1975 Copenhagen Studio Recordings (December 28, 1975)
- The Unissued Copenhagen Studio Recordings (December 29, 1975)
- Warne Marsh Quintet: Jazz Exchange Vol. 1 (and Lee Konitz, 1975)
- Live at the Montmartre Club: Jazz Exchange Vol. 2 (and Lee Konitz, 1975)
- Warne Marsh Lee Konitz: Jazz Exchange Vol. 3 (and Lee Konitz, 1975)
- All Music (1976)
- Lee Konitz Meets Warne Marsh Again (1976)
- Tenor Gladness (and Lew Tabackin, 1976)
- Warne Out (1977)
- Apogee (and Pete Christlieb, 1978)
- Conversations with Warne Volume 1 (and Pete Christlieb, 1978)
- Conversations with Warne Volume 2 (and Pete Christlieb, 1978)
- How Deep, How High (and Sal Mosca, 1976–79)
- I Remember You... (and Karin Krog, Red Mitchell, 1980)
- Star Highs (1982)
- A Ballad Album (1983)
- Ballad for You (and Susan Chen, 1985)
- Posthumous/Newly Warne (1985)
- Warne Marsh & Susan Chen (1985–86)
- Back Home (1986)
- Two Days in the Life of... (1987)
others
- Blues for a Reason (Chet Baker, 1984)
- Crosscurrents (Bill Evans, 1977)
- Thesaurus (Clare Fischer, 1968)
- Subconscious-Lee (Lee Konitz, 1949–50)
- Lee Konitz Meets Jimmy Giuffre (1959)