Ridgely Torrence
- Poet
- editor
Princeton University
Mary Susan Ridgely
Frederic Ridgely Torrence (November 27, 1874 – December 25, 1950) was an American poet and editor. He received the Shelley Memorial Award in 1942 and the Academy of American Poets' Fellowship in 1947.
Early life and education
![](http://upload.wikimedia.org/wikipedia/commons/thumb/b/b9/Xenia_Buildings.png/220px-Xenia_Buildings.png)
Born on November 27, 1874, in Xenia, Ohio,[1][2] Torrence was the eldest child of Captain David Findley Torrence and Mary Ridgely Torrence.[3][a] His father was a lumber dealer.[2] His grandfather, John Torrence, founded Xenia and Lexington, Kentucky.[2] He had a brother, Findley McDowell Torrence, who attended Harvard University and married a hometown woman, Patricia Broadstone.[4]
He had tutors while he was growing up[3] and attended Miami University in Oxford, Ohio, from 1893 to 1895 and transferred to Princeton University.[1][2] He withdrew from Princeton after he suffered an illness that prevented him from returning to school in 1896.[2]
Career
Early career
![](http://upload.wikimedia.org/wikipedia/commons/thumb/5/5a/Lenox_Library_Loeffler.jpg/220px-Lenox_Library_Loeffler.jpg)
In the late 1890s he settled in Greenwich Village, in New York City, working as a librarian at the Astor Library from 1897 to 1901, and then at Lenox Library until 1903.[3] He was assistant editor at The Critic from 1903 to 1904. He worked for the Japanese special envoy to the United States as a secretary in 1905.[3] He was the fiction editor at Cosmopolitan magazine, from 1905 to 1907.[5]
Poet and playwright
During his early year in New York, he became part of a circle of poets that included E. A. Robinson, William Vaughn Moody, and Robert Frost.[6] In 1900, he published The House of a Hundred Lights,[7] which Edmund Clarence Stedman helped him revise.[2]
The verse plays, showing the influence of John Millington Synge,[8] showed realistic portrayals of African Americans, and a revolt against their station in society.[9] While his verse dramas were published as books, they were not produced as plays.[7]
In 1914, his one-act play Granny Maumee, which was first performed by a white cast, helped create opportunities for black actors in theaters in America when it was produced with black actors in 1917. It was "one of the first opportunities for serious black actors".[7] Torrence's collection of plays, Three Plays for a Negro Theater premiered in 1917, as a production of the Negro Players.[10] He work was noteworthy in its blending of compassion and strength.[7]
![](http://upload.wikimedia.org/wikipedia/commons/thumb/b/b5/MacDowell_Colony.jpg/220px-MacDowell_Colony.jpg)
Torrence had fellowships to MacDowell Colony, the artist colony, in 1914, 1917, and then every year from 1942 to 1950.[7] In 1938, he was poet in residence at Antioch College and in 1941 to 1942, he was Fellow in Creative Writing at Miami University.[1]
He was poetry editor of The New Republic (1920–33), mentoring Louise Bogan.[11] He organized the National Survey of the Negro Theater (1939), for the Rockefeller Foundation.[12] The posthumous book Poems, of Torrence's selected poetry, was published in 1952. He chose works that reflected his values, compassion for others, sense of injustice among people, and a faith in mankind.[1]
I trust the people as I trust the stars.
And if they lose the reckoning they will find it,
For they must learn and by their griefs they will,
Must learn to steer themselves, steer or be steered.— Ridgely Torrence, Lincoln's Dream[1]
Awards
Personal life
![](http://upload.wikimedia.org/wikipedia/commons/thumb/a/aa/Hassam_Washington_Arch_Spring.jpg/170px-Hassam_Washington_Arch_Spring.jpg)
In 1914, he married author Olivia Howard Dunbar,[13] who was a magazine writer, novelist, and reporter for the New York World.[14] They lived at Washington Square in Lower Manhattan.[15]
Torrence died on December 25, 1950, in New York City.[16] His papers are held at Princeton.[17] Olivia died on January 6, 1953.[14]
Works
Poetry
- The House of a Hundred Lights. Small, Maynard. 1900.
- Hesperides. The Macmillan Company. 1925.
- Poems. Macmillan. 1941.
Theater
- Torrence, Ridgely (1903). El Dorado: A Tragedy. John Lane.
- Torrence, Ridgely (1907). Abelard and Heloise: A Drama. C. Scribner's sons.
- Torrence, Ridgely (1917). Granny Maumee, The Rider of Dreams, Simon the Cyrenian: Plays for a Negro Theater. The Macmillan company.
Anthologies
- Louis Untermeyer, ed. (1941). "The Bird and the Tree". Modern American Poetry.
- Jessie B. Rittenhouse, ed. (1917). "The Lesser Children". The Little Book of Modern Verse.
Non-fiction
- The story of John Hope. Macmillan Co. 1948.
- Edwin Arlington Robinson (1940). Ridgely Torrence (ed.). Selected letters of Edwin Arlington Robinson. The Macmillan company.
Notes
- ^ His father's name is also expressed as Findley David Torrences.[4][2]
References
- ^ a b c d e "Xenia-Born Poet Writes In Lines Of Pure Beauty". The Journal Herald. November 1, 1952. p. 26. Retrieved March 15, 2020.
- ^ a b c d e f g Haralson, Eric L. (January 21, 2014). Encyclopedia of American Poetry: The Nineteenth Century. Routledge. pp. 434–436. ISBN 978-1-317-76324-6.
- ^ a b c d "Xenia writer gained fame". Xenia Daily Gazette. July 3, 1976. p. 24. Retrieved March 15, 2020.
- ^ a b Harvard College Class of 1910 Fourth Report. Crimson Printing Company. 1921. p. 409.
- ^ "Ridgely Torrence Criticism". Archived from the original on August 21, 2008. Retrieved June 19, 2009.
- ^ Parini, Jay (2000). Robert Frost: A Life. Macmillan. ISBN 978-0-8050-6341-7.
- ^ a b c d e "Ridgely Torrence - Artist". MacDowell Colony. Retrieved March 15, 2020.
- ^ Leslie Catherine Sanders (1989). The Development of Black Theater in America: From Shadows to Selves. LSU Press. ISBN 978-0-8071-1582-4.
- ^ Eric L. Haralson; John Hollander, eds. (1998). "Frederick Ridgely Torrence". Encyclopedia of American Poetry: The Nineteenth Century. Taylor & Francis. ISBN 978-1-57958-008-7.
- ^ Krassner, David (2002). A Beautiful Pageant: African American Theatre, Drama, and Performance in the Harlem Renaissance, 1910-1927. Palgrave Macmillan. ISBN 978-0-312-29590-5.
- ^ Elizabeth Frank (1986). Louise Bogan: A Portrait. Columbia University Press. ISBN 978-0-231-06315-9.
- ^ Ian Hamilton, ed. (1994). The Oxford companion to twentieth-century poetry in English. Oxford University Press. p. 546. ISBN 978-0-19-866147-4.
Ridgely Torrence survey negro.
- ^ "The Shell of Sense". storyoftheweek.loa.org. Retrieved 2 May 2018.
- ^ a b "Olivia H. Dunbar". Lansing State Journal. January 7, 1953. p. 4. Retrieved March 15, 2020.
- ^ Annual Register of the Alumnae Association of Smith College. 1915. p. 89.
- ^ "Ridgely Torrence obituary". The Boston Globe. December 26, 1950. p. 11. Retrieved March 15, 2020.
- ^ "Ridgely Torrence Papers (C0172)". Princeton University - Finding Aids. Retrieved March 15, 2020.
External links
- "Ridgely Torrence." Encyclopædia Britannica. 2009. Encyclopædia Britannica Online. 19 Jun. 2009
- Cary D. Wintz; Paul Finkelman, eds. (2004). Encyclopedia of the Harlem Renaissance. Taylor & Francis. ISBN 978-1-57958-458-0.
- Works by or about Ridgely Torrence at the Internet Archive
- Ridgely Torrence at Find a Grave
- Ridgely Torrence Papers at Princeton University Library Special Collections
- Works by Ridgely Torrence at LibriVox (public domain audiobooks)