The Laboratory
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"The Laboratory" is a poem and dramatic monologue by Robert Browning. The poem was first published in June 1844 in Hood's Magazine and Comic Miscellany, and later Dramatic Romances and Lyrics in 1845.
This poem, set in seventeenth-century France, is the monologue of a woman speaking to an apothecary as he prepares a poison, which she intends to use to kill her rivals in love. It was inspired by the life of Marie Madeleine Marguerite d'Aubray, marquise de Brinvilliers (1630–1676), who poisoned her father and two brothers and planned to poison her husband, matching the narrator's actions in "The Laboratory".[1]
Text
Now that I, tying thy glass mask tightly,
May gaze thro' these faint smokes curling whitely,
As thou pliest thy trade in this devil's-smithy—
Which is the poison to poison her, prithee?
He is with her, and they know that I know
Where they are, what they do: they believe my tears flow
While they laugh, laugh at me, at me fled to the drear
Empty church, to pray God in, for them!—I am here.
Grind away, moisten and mash up thy paste,
Pound at thy powder,—I am not in haste!
Better sit thus and observe thy strange things,
Than go where men wait me and dance at the King's.
That in the mortar—you call it a gum?
Ah, the brave tree whence such gold oozings come!
And yonder soft phial, the exquisite blue,
Sure to taste sweetly,—is that poison too?
Had I but all of them, thee and thy treasures,
What a wild crowd of invisible pleasures!
To carry pure death in an earring, a casket,
A signet, a fan-mount, a filigree basket!
Soon, at the King's, a mere lozenge to give
And Pauline should have just thirty minutes to live!
But to light a pastile, and Elise, with her head
And her breast and her arms and her hands, should drop dead!
Quick—is it finished? The colour's too grim!
Why not soft like the phial's, enticing and dim?
Let it brighten her drink, let her turn it and stir,
And try it and taste, ere she fix and prefer!
What a drop! She's not little, no minion like me—
That's why she ensnared him: this never will free
The soul from those masculine eyes,—say, "no!"
To that pulse's magnificent come-and-go.
For only last night, as they whispered, I brought
My own eyes to bear on her so, that I thought
Could I keep them one half minute fixed, she would fall,
Shrivelled; she fell not; yet this does it all!
Not that I bid you spare her the pain!
Let death be felt and the proof remain;
Brand, burn up, bite into its grace—
He is sure to remember her dying face!
Is it done? Take my mask off! Nay, be not morose;
It kills her, and this prevents seeing it close:
The delicate droplet, my whole fortune's fee—
If it hurts her, beside, can it ever hurt me?
Now, take all my jewels, gorge gold to your fill,
You may kiss me, old man, on my mouth if you will!
But brush this dust off me, lest horror it brings
Ere I know it—next moment I dance at the King's!
References
- ^ English and English Literature Anthology for AQAA
External links
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- v
- t
- e
- Strafford (1837)
- Pippa Passes (1841)
- King Victor and King Charles (1842)
- The Return of the Druses (1843)
- A Blot in the 'Scutcheon (1843)
- Colombe's Birthday (1844)
- Luria (1846)
- A Soul's Tragedy (1846)
- In a Balcony (1855)
![](http://upload.wikimedia.org/wikipedia/commons/thumb/4/49/Robert_Browning_1865.jpg/78px-Robert_Browning_1865.jpg)
and poems
- Pauline: A Fragment of a Confession (1833)
- Paracelsus (1835)
- "Porphyria's Lover" (1836)
- "Johannes Agricola in Meditation" (1836)
- Sordello (1840)
- Dramatic Lyrics (1842, "My Last Duchess", "Soliloquy of the Spanish Cloister", "Count Gismond")
- Dramatic Romances and Lyrics (1845, "Home-Thoughts, from Abroad", "How They Brought the Good News from Ghent to Aix", "Meeting at Night", "The Laboratory", "The Lost Leader")
- Christmas-Eve and Easter-Day (1850)
- Men and Women (1855, "Love Among the Ruins", "Evelyn Hope", "Childe Roland to the Dark Tower Came", "Andrea del Sarto", "Fra Lippo Lippi", "A Toccata of Galuppi's")
- Dramatis Personæ (1864, "Rabbi ben Ezra", "Caliban upon Setebos")
- The Ring and the Book (1868–9)
- Balaustion's Adventure (1871)
- Prince Hohenstiel-Schwangau, Saviour of Society (1871)
- Fifine at the Fair (1872)
- Red Cotton Night-Cap Country (1873)
- Aristophanes' Apology (1875)
- The Inn Album (1875)
- Pacchiarotto, and How He Worked in Distemper (1876)
- The Agamemnon of Aeschylus (1877)
- La Saisiaz and The Two Poets of Croisic (1878)
- Dramatic Idyls (1879, 1880)
- Jocoseria (1883)
- Ferishtah's Fancies (1884)
- Parleyings with Certain People of Importance in Their Day (1887)
- Asolando (1889)
- Elizabeth Barrett Browning (wife)
- Robert Barrett Browning (son)
- Casa Guidi