The Way I Really Play
The Way I Really Play | ||||
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Studio album by Oscar Peterson | ||||
Released | 1968 | |||
Recorded | November 12, 1967 | |||
Genre | Jazz | |||
Length | 44:50 | |||
Label | MPS | |||
Producer | Hans Georg Brunner-Schwer | |||
Oscar Peterson chronology | ||||
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The Great Oscar Peterson on Prestige! Cover | ||||
The Way I Really Play (also released as The Great Oscar Peterson on Prestige!) is a 1968 album by jazz pianist Oscar Peterson. It is the third part of Peterson's Exclusively for My Friends series.
Reception
Review scores | |
---|---|
Source | Rating |
Allmusic | [1] |
The Rolling Stone Jazz Record Guide | [2] |
The Penguin Guide to Jazz Recordings | [3] |
Writing for AllMusic, critic Ken Dryden wrote "The influence of Art Tatum is apparent during his intricate runs within "Love Is Here to Stay," while the multifaceted original "Sandy's Blues" (dedicated to his wife) combines a dark mood with a swinging setting. The lighthearted waltzing treatment of "Alice in Wonderland" is pure joy, while another original, "Noreen's Nocturne," is simply a showstopper."[1]
The Penguin Guide to Jazz includes the album in its selected "Core Collection."[3]
Track listing
- "Waltzing Is Hip" (Ray Brown, Johnny Wayne) – 6:11
- "Satin Doll" (Duke Ellington, Johnny Mercer, Billy Strayhorn) – 10:05
- "Love Is Here to Stay" (George Gershwin, Ira Gershwin) – 4:54
- "Sandy's Blues" (Oscar Peterson) – 9:34
- "Alice in Wonderland" (Sammy Fain, Bob Hilliard) – 4:46
- "Noreen's Nocturne" (Oscar Peterson) – 9:20
Personnel
Performance
Recorded at the private studio of Hans Georg Brunner-Schwer, Villingen-Schwenningen, West Germany, November 12, 1967:
- Oscar Peterson – piano
- Sam Jones – double bass
- Bobby Durham – drums
Production
- Recording director and engineer - Hans Georg Brunner-Schwer
- Liner notes - Gene Lees
- Liner notes translated - Dr. B. Falk
- Cover photography - Sepp Werkmeister
- Reverse side photography - Sepp Werkmeister
- Graphic work - Hans B. Piltzer
References
- ^ a b Dryden, Ken. "The Way I Really Play > Review". Allmusic. Retrieved June 2, 2015.
- ^ Swenson, J., ed. (1985). The Rolling Stone Jazz Record Guide. USA: Random House/Rolling Stone. p. 161. ISBN 0-394-72643-X.
- ^ a b Cook, Richard; Brian Morton (2008) [1992]. The Penguin Guide to Jazz Recordings. The Penguin Guide to Jazz (9th ed.). New York: Penguin. p. 1153. ISBN 978-0-14-103401-0.
- v
- t
- e
leader
or
co-leader
Plays series |
|
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1955–58 |
|
Plays the Songbook (1959) | |
The London House Sessions (1961) |
|
Trio & Guests |
|
Exclusively for My Friends |
|
1969–79 |
|
With The Trumpet Kings |
|
1980–2004 |
|
Count
Basie
or
alumni
- Lester Young with the Oscar Peterson Trio (1952)
- Basie Jazz (Count Basie, 1952)
- Pres and Sweets (Lester Young and Harry Edison, 1955)
- Gee Baby, Ain't I Good to You (Harry Edison, 1957)
- Going for Myself (Lester Young & Harry Edison, 1957)
- Jazz Giants '58 (Stan Getz, Gerry Mulligan & Harry Edison, 1958)
- Satch and Josh (and Count Basie, 1974)
- Satch and Josh...Again (and Count Basie, 1977)
- Night Rider (and Count Basie, 1978)
- The Timekeepers (and Count Basie, 1978)
- Yessir, That's My Baby (and Count Basie, 1978)
- Oscar Peterson + Harry Edison + Eddie "Cleanhead" Vinson (1986)
Benny
Carter
- Alone Together (1952)
- Cosmopolite (1952–54)
- Plays Pretty (1954)
- New Jazz Sounds (with Bill Harris & Dizzy Gillespie, 1954)
- Benny Carter Meets Oscar Peterson (1986)
Roy
Eldridge
- Rockin' Chair (with Roy Eldridge, 1951–52)
- Dale's Wail (Eldridge, 1953)
- Little Jazz (Eldridge, 1954)
- Roy and Diz (Eldridge and Dizzy Gillespie, 1954)
- Happy Time (Eldridge, 1974)
- Jazz Maturity...Where It's Coming From (and Gillespie, 1975)
- Roy Eldridge 4 – Montreux '77 (1977)
Ella
Fitzgerald
- At the Opera House (1957)
- Ella and Louis (and Louis Armstrong, 1956)
- Ella and Louis Again (and Louis Armstrong, 1957)
- Ella Fitzgerald Sings the Duke Ellington Song Book (1957)
- Ella in Rome: The Birthday Concert (1958)
- Jazz at Santa Monica Civic '72 (1972)
- Ella and Oscar (1975)
Hawkins
and/or Ben
Webster
- Coleman Hawkins and Confrères (with Roy Eldridge & Webster, 1957)
- Coleman Hawkins Encounters Ben Webster (1957)
- The Genius of Coleman Hawkins (1957)
- Soulville (with Webster, 1957)
- Ben Webster Meets Oscar Peterson (with Webster, 1959)
Buddy
Rich
- The Drum Battle (and Gene Krupa, 1952)
- Sing and Swing (1955)
- The Wailing Buddy Rich (1955)
- Krupa and Rich (1955)
others
- The Astaire Story (Fred Astaire, 1952)
- Buddy DeFranco and Oscar Peterson Play George Gershwin (1954)
- Ellis in Wonderland (Herb Ellis, 1955–56)
- Toni (Toni Harper, 1955–56)
- Louis Armstrong Meets Oscar Peterson (1957)
- Anita Sings the Most (Anita O'Day, 1957)
- Only the Blues (Sonny Stitt, 1957)
- Stan Getz and J. J. Johnson at the Opera House (1957)
- Stan Getz and the Oscar Peterson Trio (1957)
- This Is Ray Brown (Roy Brown, 1958)
- Sonny Stitt Sits in (1959)
- Bill Henderson with (1963)
- Zoot Sims and the Gershwin Brothers (1975)
- The Milt Jackson Big 4 (1975)
- Eddie "Lockjaw" Davis 4 – Montreux '77 (1977)
- How Long Has This Been Going On? (Sarah Vaughan, 1978)
- Linger Awhile (Sarah Vaughan, 1978)
- Ain't Misbehavin' (Clark Terry, 1978)
- Ain't But a Few of Us Left (Milt Jackson, 1981)
- Hark (Buddy DeFranco, 1985)
- Some of My Best Friends Are...The Piano Players (Ray Brown, 1994)
soundtracks
- The Silent Partner (1978)