Vesperae solennes de Dominica

1779 sacred choral composition by Mozart
  • Psalms 110–113, 117
  • Magnificat
LanguageLatinComposed1779 (1779): SalzburgMovements6VocalSATB choir and soloistsInstrumental
  • brass and timpani
  • violins
  • continuo
Vesperae de Dominica
1st movement
Dixit dominus (Psalm 110)
(3:36 minutes, 4 MB)

2nd movement
Confitebor (Psalm 111)
(5:59 minutes, 6 MB)

3rd movement
Beatus vir (Psalm 112)
(4:24 minutes, 5 MB)

4th movement
Laudate pueri (Psalm 113)
(3:59 minutes, 4 MB)

5th movement
Laudate Dominum (Psalm 117)
(5:12 minutes, 5 MB)

6th movement
Magnificat (5:57 minutes, 6 MB)

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Vesperae solennes de Dominica, K. 321, is a sacred choral composition, written by Wolfgang Amadeus Mozart in 1779. It is scored for SATB choir and soloists, violin I and II, 2 trumpets, 3 trombones colla parte, 2 timpani, and basso continuo (bassoon and organ).

It was composed in Salzburg at the request of the Archbishop Colloredo for liturgical use in the city's cathedral. The title "de Dominica" signifies its use in Sunday services.[1] In 1780, Mozart composed another setting of Solemn Vespers, the Vesperae solennes de confessore, which shares many musical similarities with this work.

Structure

The setting is divided into six movements, including five psalms and a setting of the Magnificat. A setting of the Minor Doxology (Gloria Patri) concludes all movements, each recapitulating the opening theme. The first three psalms are scored in a vigorous, exuberant manner, contrasting with the strict counterpoint of the a cappella Laudate pueri. The Laudate Dominum is set as an extended aria for the soprano soloist with obbligato organ, while the Magnificat opens with a majestic, moderate tempo, only to return to the bolder tempo of the first three psalms.[2]

  1. Dixit Allegro vivace, C major, common time
  2. Confitebor Allegro, E minor, 3
    4
  3. Beatus vir Allegro, B major, common time
  4. Laudate pueri F major, cut time
  5. Laudate Dominum Allegro, A major, 3
    4
  6. Magnificat Adagio maestoso, C major, common time
    "Et exultavit" Allegro, C major, common time

References

  1. ^ Robert Gutnam (2011). Mozart. Random House. ISBN 9781446477076. Retrieved 21 February 2013.
  2. ^ Alfred Einstein, Arthur Mendel (1945). Mozart: His Character, His Work. Oxford University Press. ISBN 9780195007329. Retrieved 21 February 2013.

External links

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Masses and Requiem
  • G major, K. 49/47d
  • Waisenhausmesse C minor, K. 139/47a
  • D minor, K. 65/61a
  • Dominicusmesse C major, K. 66
  • Missa in honorem Sanctissimae Trinitatis C major, K. 167
  • Kleine Credo Messe F major, K. 192/186f
  • D major, K. 194/186h
  • Sparrow Mass C major, K. 220/196b
  • Missa longa C major, K. 262/246a
  • Credo Mass C major, K. 257
  • Piccolomini Mass or Spaur Mass C major, K. 258
  • Orgelsolomesse C major, K. 259
  • B-flat major, K. 275/272b
  • Coronation Mass C major, K. 317
  • Missa Solemnis C major, K. 337
  • Great Mass C minor, K. 427/417a
  • Requiem, K. 626
Other Mass-related
Uncertain Mass
  • Pastoral Mass G major, K. 140/235d/Anh. C1.12
Spurious Masses
  • Twelfth Mass (attributed to W. Müller)
  • Così fan tutte pasticcio Coronation Mass
Motets
  • God is our refuge, K. 20
  • Exsultate, jubilate, K. 165
  • Ave verum corpus, K. 618
Vespers
  • Vesperae solennes de Dominica, K. 321
  • Vesperae solennes de confessore, K. 339
Litanies
  • Litanies (Mozart): K. 109, K. 125, K. 195, K. 243
Choral works
  • Veni Sancte Spiritus, K. 47
  • Regina coeli, K. 74d
  • Regina coeli, K. 127
  • Regina coeli, K. 276
SingspielOratorioCantata
  • geistliches Singspiel Die Schuldigkeit des ersten Gebots, K. 35
  • oratorio Betulia liberata, K. 118/74c
  • cantata Davide penitente, K. 469
Handel adaptations
  • Acis und Galatea, K. 566
  • Der Messias, K. 572
  • Das Alexander-Fest, K. 591
  • Ode auf St. Caecilia, K. 592
Masonic ceremonial music
  • Maurerische Trauermusik, K. 477/479a
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